Fuji lenses are better optimized for the format. Stop down metering and focusing can be a pain. It will be unnecessarily large and not benefit from the functionality of the camera like AF and aperture control. However, if you are thinking of buying this lens, I would question why.
#LEICA R 50MM SUMMICRON SERIES#
The R series lenses have an excellent reputation. VAT can not be stated separately due to differential taxation. The work you end up doing with it might make the lens valuable for you. LEICA Summicron-R 2,0/50mm (R-Only) Lens in very good condition. If that was an adapted lens, I probably would not enjoy it because of how slow and imprecise using adapted lenses can be, especially at long focal lengths.īut I echo those above, if you have the lens, I would certainly get an adapter and try it out. Now, my Fuji 50mm f/2 I use a great deal. I think if I used it regularly, it would be annoying. Its focal length makes the new SL-Lens extremely versatile and recommends it for use in almost any situation for instance, reportage and travel photography, studio work, architectural, landscape, portrait, close-up or documentary. But this lens has no AF and no aperture control making it slow to use. Description Tech Specs Leica Camera AG has expanded the Summicron-SL lens family with another high-performance lens: the Leica APO-Summicron-SL 50mm f/2 ASPH. Only a small number of M4-2's were made fitted with.
So, with little investment I have a lens I can use. An early Leica M42 fitted with 1969-1979 period 50mm Summicron f / 2 lens. It is also not a focal length I use very often.
I had it and I adapted it with a Fuji M-Mount adapter because it was a relatively a cheap way of getting a lens for my X Pro2 when I first bought the camera. The body shows a lot of paint loss and has a worn appearance. I have one adapted lens-an M-Rokkor 90mm, f/4. This Leica R4 camera comes with a Leitz Summicron 50mm lens.
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